Is Metadata Management Worth Half of My Royalties

-posted by Ken

The latest Publisher's Weekly article about literary agents and agencies assisting authors to e-publish and self-publish their books covers little new ground, but it does highlight some interesting points about the trend.

Is the Great Debate asking the Wrong Question?

posted by Saul

Publishing Point's Susan Danzinger recently posted a video of this past spring's "Great Debate" at the London Book Fair. Having not attended, this was a good chance for me to see and hear first hand what has increasingly been driving a wedge in the literary community over the past several months. I'd already gotten the basic gist of the discussion from other sources, but I was curious to hear, in its entirety, the debate based on the inciteful premise: “Publishers in the digital age will be irrelevant.”

Or put another way: "All that will matter is the writer and the reader."

The panelists comprised of four experts. Two advocates for the "resolution": Cory Doctorow, bestselling author, blogger, and Publishers Weekly columnist; and London-based tech author and publisher James Bridle. Arguing against the resolution: Richard Charkin, executive director of Bloomsbury Publishing; and Andrew Franklin, publisher and managing director of Profile Books.

First of all, what is a publisher?

Planning for an Indie Future: Creating a Business Plan

posted by Saul

All too often I talk to or hear about a writer who's published a book on Amazon or through Smashwords and it's clear they have no idea what to do next. Now, granted, some of these writers don't aspire to a career in writing, but many do, and so it astonishes me to think that they've taken the first step on a very long journey without properly preparing for it.

Where's your plan?

Before the indie movement, before the technology was available to allow Joe Anywriter to publish, the basic book writer's business plan went basically as follows:

1. Write
2. Submit
3. Fret
4. Revise
5. Repeat steps 2-4 ad infinitum
6. Die

For many, the democratization of publishing has simplified this:

How to Prepare for the Inevitable (Publishing) Apocalypse

posted by Saul

(to be read to R.E.M.'s It's the End of the World as We Know It playing in the background)

What will publishing look like in the future? Hell, what on earth will it look like next year? Nobody knows. So, how do writers prepare for it?

By listening to the message and ignoring the hype.

I had originally planned to talk a little bit about my specific self-publishing marketing plan today, but after a week and a half in the tropics doing research on my upcoming YA short story collection Zombies in Bermuda Shorts, I decided to do something a bit less serious (yes, the research was serious; for example, I found out zombies love shrimp cocktails) and talk about the state of publishing, since there seems to be a hell of a lot of arm-waving going on right now that would put the Wall Street protests to shame if it weren't being done in private writer cubbies all over the world.

3 Billion Words? Try 100 Billion or more

posted by Ken

Just two weeks ago, Smashwords announced they had published three billion words. How big is 3 billion? Think of it this way: if you started at 1 and counted each second until you got to 3 billion, you'd still be counting ninety years from now.

Indie Writers, Map Out Your Journey Before Hitting the Self-Pub Road (Part Two: Creating a Roadmap).

This is the second part of three on my series of blog posts for new indie writers. Part One discussed the writer's decision to go indie. Part Three, which will be posted next week, will be an outline of my own business plan and rationale.

posted by Saul

No serious-minded indie writer is going to set out on the self-pub journey without first having drafted a solid business plan that includes a vision of what to expect and what to accomplish along the way. Goal setting must be firmly couched in the real world and based on real-world experiences.

So how does a noob acquire such wisdom?

Indie Writers, Map Out Your Journey Before Hitting the Self-Pub Road (Part One: The Decision)

(posted by Saul)

I’ve been reading more and more frequently disturbing stories about writers frustrated with how hard it is to break into traditional publishing and instead making their way into self-publishing, only to find their frustration compounded by how hard it is to get people to buy their stories.

Believe me, self-pubbing is not a shortcut, and it’s definitely not a route to be taken by everyone. Publication isn’t simply a destination. It’s a series of stops and starts, detours and expressways. Sometimes the road is smooth and the horizon clear; other times, the route may seem to disappear altogether, the path so rough and treacherous that you’ll constantly wonder whether your mental suspension might give out at any moment.

What Writers Really Want (Versus What We're Often Told We Should Want)

When you start off writing, as I did, coming from a completely different field, you’re pretty susceptible to what other writers tell you. And so you should be. Who better to guide you along the long and tortuous journey to Authordom than other published writers, right? So I did my due diligence, read every writing, reading and publishing book I could get my grubby little hands on. I honed my skills, joined crit groups, solicited feedback, wrote and revised, and wrote and revised some more. And it’s all been great because I've learned a great deal about craft and people and life and myself along the way.

But there’s one thing that has always bothered the heck out of me.